The other day, I talked about how first lines in novels can hook me, and I gave a few examples from books I’ve recently read that did just that. So, as a reader, I definitely pay attention to the first line. But what about as a writer?
When I’m beginning a new book, I can’t move forward until I think I have the right first line. Sometimes, this is easy as my brain will immediately reach into the ether and pull out the perfect words, strung in the perfect order, to give me the perfect first line. Other times…well, let’s just say it’s not always so easy.
In fact, my first draft of A Taste of Magic is a perfect example. I started with the *wrong* first line. Who declared it as wrong? Me. My original first line was:
- Today could very easily be the worst day of my life.
The first line itself, while not amazing, isn’t horrible, and it certainly felt right when I originally wrote it. But that initial line set me on a course of telling *why* it was the worst day of Elizabeth’s life, instead of showing. And while that first line stayed for the entire writing of the first draft, by the time I was done, I knew it had to be changed. As did the first several pages of chapter one.
For me, finding the *right* first line is about more than what sounds good, it’s about putting my head in the place it needs to be in to develop the novel’s best opening. I learned a lot from writing A Taste of Magic, and while it took several tries, I did – eventually – find the first line that worked.
- “You married a lemon, Elizabeth,” said Grandma Verda, as if that explained everything.
For me, as the writer, the reason the second *first* line worked better, is it stopped me from “telling” why it was the worst day of Elizabeth’s life, and forced me to “show” it. Luckily, the majority of chapter one didn’t need much tweaking, but the first several pages were a complete rewrite. And, in my opinion, the book is better for it.
When I started writing A Stroke of Magic, the *right* first line didn’t come to me immediately, either, but I was unable to truly move ahead until I had it. I had written a scene I thought was going to be the first scene in the book, but it didn’t feel right. I fiddled around for a while, writing several possibile new scenes, but none of them felt right. Finally, this line dropped into my head:
- Pregnant women had taken over Chicago.
And once I had that line, it was as if the *real* opening scene made itself known to me. What I’d originally thought was going to be the first scene, became the second scene (with a little tweaking).
While writing the proposal for what I hope will be book three in this series (A Breath of Magic), something different happened – the first line came to me immediately. As did the first scene, and the second. Again, finding the *right* first line helped me develop the opening of the story correctly, as soon as I found it.
What’s interesting to me is how a great first line in a book will hook me in, so I have to read more, but as a writer, a great first line will put me on the right path to telling the story I want to tell.
At the moment, I’m working on another proposal, and yep–I’m going round and round about what the first line should be. I think I found it, and I can’t wait to get back into the story today to see if the words, the story, is flowing as well today as they did yesterday.
In other news, another great review is up! Heather from Night Owl Romance gave A Taste of Magic 4.5 stars, and said:
“Ms. Madison has woven a delightful spell to enchant readers that are sure to keep them coming back for more. She has blended an intriguing plot with interesting characters, and tossed in a dash of magic. Her characters are believable, intelligent, and seem to remind me of a few people that I know. This book is a page- turner that you won’t want to put down and leaves you craving more. I am adding this book to my keeper shelf and I definitely recommend this book to everyone.”
Read the entire review HERE!
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